Investment Opportunity
1. REVENUES TO COME FROM.
1.A small firm, easy to work with.
2.Seeking 7 million and up U.S. funds. (A Waterfall Budget broken into two; production/distribution).
3.Items completed;
(a) R.O.I. Paper.
(b) Comparative Film Study.
(C) Concept trailer.
(d) Web-site.
(e) Private Placement.
(f) Offering Memorandum.
(g) D.O.P. David Crone son of Robert of the Crone Family(Robert designed the steadi-cam in the film industry,
and his work was inducted in the archives at Toronto University). www.imdbdavidcrone.com
(h).Earl Heard from www.bicalliance.com
(i) Mark James from B.B.C. connection in England.
(j) Capabilities of signing A List Talent for Principle.
(k) STELLAR SCRIPT.
(l) OUTSTANDING RETURN ON INVESTMENT.
(m) TAX CREDITS. We can get pre funded for tax credits.
EARNINGS DISTRIBUTION AND RETENTION
Our profit model is designed for the release of the film, and any further opportunities that may arise for revenue to happen. Our first responsibility is to pay our investors their investment and profits. We would like to raise sufficient funds by marketing the finished film to do other worthwhile projects.
AN OPEN DOOR FILM; is right on the pulse of why we require films that offer alternatives to a current society that is corrupted with representation in films that manifest themes of fear, violence, crime, and hate! Audiences are only provided with what the PULP FICTION writers are capable of conjuring up.
This script is accurate to true life experiences and resolves, not fantasy of someone’s imagination. This film has true life, with a mystical mentor that had wisdom to express ways and opportunities of how to express love, calm, overcoming, and bliss. The violence, fear, hate, crime and injustice are still within the themes addressed in the script, but not where the audience is left being stuck.
WHY INVEST IN THIS FILM?
A movie is the best investment one can make for the up-side potential vs. the risk.
- There is no business with manufacturing capital entry requirements as low as motion pictures where the potential return can be as unlimited over the short, medium and long terms.
- With new markets, such as China (1.2 billion new potential moviegoers) and India (900 million new potential English-speaking moviegoers), investors would be imprudent not to take a serious look at the potential rewards of movie investments at this time.
-James R. Jaeger II, 1985-2003, Why Invest in a Movie? http://www.mecfilms.com/whyinves.htm.Lorem Ipsum is simply dummy text of the printing and typesetting industry
Not only can investing in film bring a lot of excitement, it has the potential to bring a large financial windfall.
- There is nothing more rewarding than investing in a motion picture that you truly believe in and then seeing it come to completion. And, investing in the motion picture industry, you can potentially earn a huge return on your investment.
-Movie Investments, 2007, http://www.movieinvestments.us/index.html.
An Open Door is a suspense drama with a metaphysical twist. Starting as a very dark and foreboding story, it features a surprising upswing into light by the end. Our hero is trapped in a prison teaching position and has a family with debts and responsibilities. However, his relationship with his wife has deteriorated at the family home front and his job has turned from teaching, to becoming a Crown Witness for the worst prison riot ever, resulting in threats from the MOB. A metaphysical mentor then comes to his rescue guide to guide him out of harm’s way.
An Open Door - The Film
Formed and registered in the Province of British Columbia with primary place of business at:
15585 Pacific Ave.,
White Rock, BC, V4B 1R8
Management Team
Peter Daniels, Executive Producer
My job has been executive producer, which means I am responsible for the development of the screenplay, the budget, the story-board, the offering memorandum with the private placement, the R.O.I. paper, the comparative film report, the treatment and synopsis.
A trailer is in the works for development.
Tax credits are also investigated for post production, and distribution has been investigated.
The Director of Production (DOP), and a Line Producer will be hired to assist in the production as the film takes on capitalization. At such time we will seek the talent and the crew.
Jeff Young; Media and Entertainment, Sports Lawyer
Associate of Aren Altman and Co. in Vancouver B.C. 1-604-563-1192.
Jeff is responsible for writing the Offering Memorandum and prepared the Private Placement.
Jim Murphy of Murphy and Murphy in White Rock is C.A.
1- 604-536-7222.
David Crone shall be offered as D.O.P. and lives in Vancouver B.C.
1-604-802-2419.
Daniel Woo was born and raised in Vancouver, B.C., Canada. In the early 1990’s Daniel turned to the Arts as a method of escape and therapy with dealing with personal challenges. In 2013 Daniel Founded a company to help artists with their corporate needs. He met Peter Daniels – a fellow artist and film-maker. Daniel immediately started helping as a Consultant and Producer for An Open Door Film, the story of Peter’s life. as the film Coordinator.
Jason Rickey:
JRickey Productions Studio
Jason is responsible for Video Editing
1-778-877-8779.
Rose Howitt Chiron: Co-producer
1-778-987-4418.
Rose has extensive experience in a wide range of marketing functions, communications, advertising, branding and social media. Rose’s expertise is in the development and implementation of the companies branding strategies. The intention is to ensure all marketing strategies achieve immediate and long-term business goals, identify and execute improvements and lead generation for raising capital .Rose also organizes and sets up campaigns for trade shows bringing events to mainstream. The goal is always to create an environment for the needs of the project to have a clear organized path and ready for production.
Alan MacFarlane is stunts and armory. 1- 604-209-3640.
THE COMPANY
Market Distribution
DISTRIBUTION STRATEGY
A. JOBBERS.
We are seeking distribution:
1. Dana Mitchell, out of Michigan in the USA is a rep for film and artist distribution, Dana corresponds with large studios. Ph;313-663-6620. email, blackdiamondmusic@gmail.com
2. Canadian Association of Film Distributors (CAFDE),and Exporters are in Toronto Ontario Canada. 416-415-7217, teast@cafde.ca
3.Sales agents, from Tim Brown of Joker Films. https://www.jokerfilms.com
4.Sales agents from Emily Alden of Northwest Pictures is based in Vancouver https://www.imdb.com/company/co0345063.
5.https://www.americanfilmmarket.com/exhibitors/exhibitor-list-full
B. FILM FESTIVALS.
Distribution via;
1.Whister Film Festival.
2.Cannes Film Festival.
3.T.I.F.F.
4. Society of Notre Dame. L.A. Cali.
5. Premiere four walling. Vancouver B.C.
Motion Picture Distribution
The Market Distribution This is $2.500000.00 low with a high of $3.00000.00. It is the cost of filming, with A Director, Line Producer, D.O.P. and cast and crew, etc. The total cost of production. DISTRIBUTION BUDGET/ STRATEGY This is $2.500000.00 low with a high of $6.00000.00. It is the cost of filming, with A Director, Line Producer, D.O.P. and cast and crew, etc. The total cost of production.
Our target market is 14 to 29 years of age, however we have no limit, as 90 year old would enjoy it. 14 to 29 represent 4S% of the box office admissions. Our "log line" is: "An intense prison riot, with a suspenseful roller coaster ride where our hero doesn't know his fate". We do have some built in bullets, we can attract the younger generation because of the male factor of riots, dangerous villains, and for the older audience we have mindful meditation and soulful story line. We also have the female quota with two strong female lead roles.
THE CAST and CREW
Peter Daniels
Peter was born in New Westminister, British Columbia, Canadian 1949. Peter completed high school in Dawson Creek, British Columbia 1968 and then attended Kootney School of Art and Notre Dame University in Nelson, British Columbia at which he received a Commercial Art Certificate, a Fine Art Certificate, a Fine Art Diploma and a B.F.A. (completed in 1974).
After graduation Peter taught art to local arts to community groups
throughout British Columbia. His formal teaching came when he was hired to teach art from grade 8-12 at St. Michael’s University School in Victoria, British Columbia where he assisted as a live-in house parent and developed the Baccalaureate Program.
Peter’s next teaching job came as an Art Instructor for the Canadian Federal Government under the Solicitor General’s Office at Matsqui Institution. Peter taught art therapy to convicts for almost 10 years. During his 10 year teaching cycle, he was able to open retail representation in galleries in Canada and he was exhibited in Habitat Canada in Vancouver, British Columbia in 1979.
Currently Peter has completed a Feature Film script “An Open Door” on his adventures as an art instructor at the prison where he taught. A budget is ready for distribution of the film is being established. Peter will be presenting it at many film festivals.
CREW.
The Director on Production (DOP), and a Line Producer will be hired to assist in the production as the film takes on capitalization. At such time we will seek the talent and the crew, and Jason Rickey, Video Editor - jrickyproductions@gmail.com ph;778-877-8779. Editor. Our first A.D. is Mark Redsky, markredsky@shaw.ca ph;604-219-9014. Director Jimi Stewart is our Director, talktojimi@shaw.ca www.ca.linkedin.com/pub/jimi-stewart/13/a50/b56. Camera Operator is Rob Crone, cinemacrone@gmail.com www.cinemacrone.com ph;778-960-6554. Hair is Monica Bargen, monicabargen@gmail.com ,ph; 778-323-0695. Craft Services is Michele Kilmchuck tmkilmchuck@hotmail.com ,ph;778-571-1232.
CASTING AGENCIES.
Our local talent agencies such as Glenn Bottomly glenn.bottomly@gmail.com or Annette McCaffery from Local Color Talent, amcasting87@gmail.com accompanied by Andrea Brown from BCF Casting , casting@bcfcasting.com ph;604-628-3100, will assist us with procuring back ground and the other principle talent.
The company Mystic Productions, hosting “An Open Door” anopendoor.ca is in contact with film industry companies that have access to numerous Box Office Talent. We are in the process of looking for the principal role of Mrs. Philpott; the mystic. We also have access to several local actors for various roles however no contracts have been engaged in at this point.
Martin Sadd has agreed to be our Opera singer;
martinsadd@hotmail.com ph: 778-990-0242
RISK FACTOR.
Films have risk factors, often they do not achieve distribution. In our project AN OPEN DOOR FILM, a tremendous amount of networking has been accomplished. We have a budget to attend film festivals, and pay for jobbers to find distribution. We will be piggy backing with other warm markets such as the music industry, community support groups, women’s groups, men’s groups, Christian Fellowship groups, social media, e-mails, and word of mouth. Accompanying this will be our own four-walling with premier showings of our film.
We also have prepared by an outside source the Comparative Film Report and the R.O.I. paper on our feature film. This was accomplished by selecting five previous films that were studied about their budgets and returns with projections of what our film, AN OPEN DOOR FILM, is capable of achieving. Baseline Intelligence contact is Francisco Ramos ,ph; 310-482-3410. www.baselineintelligence.com This company was acquired by Gracenote which is part of Tribune Media.
THE CONCLUSION
Current and Future State of the Movie Industry
EXECUTIVE SUMMARY
Watch the Trailer
A Peter Daniels Film
"The choice is always ours to make"
An Open Door
An Open Door is a suspense drama with a metaphysical twist. Starting as a very dark and foreboding story, it features a surprising upswing into light by the end. Our hero is trapped in a prison teaching position and has a family with debts and responsibilities; however, his relationship with his wife has deteriorated at the family home front and his job has turned from teaching, to becoming a Crown Witness for the worst prison riot ever, resulting in threats from the MOB. A metaphysical mentor then comes to his rescue to guide him out of harm’s way.
THE STORY
Peter Daniels, Executive Producer
Peter was born in New Westminister, British Columbia, Canadian 1949. Peter completed
high school in Dawson Creek, British Columbia 1968 and then attended Kootney School
of Art and Notre Dame University in Nelson, British Columbia at which he received a
Commercial Art Certificate, a Fine Art Certificate, a Fine Art Diploma and a B.F.A.
(completed in 1974).
After graduation Peter taught art to local arts to community groups throughout British Columbia. His formal teaching came when he was hired to teach art from grade 8-12 at St. Michael’s University School in Victoria, British Columbia where he assisted as a live-in house parent and developed the Baccalaureate Program.
Peter’s next teaching job came as an Art Instructor for the Canadian Federal Government under the Solicitor General’s Office at Matsqui Institution. Peter taught art therapy to convicts for almost 10 years. During his 10 year teaching cycle, he was able to open retail
representation in galleries in Canada and he was exhibited in Habitat Canada in
Vancouver, British Columbia in 1979.
Currently Peter has completed a Feature Film script “An Open Door” on his adventures
as an art instructor at the prison where he taught. A budget is ready for distribution of
the film is being established. Peter will be presenting it at many film festivals.
OUR TEAM
ROSE HOWITT CHIRON
CO-PRODUCER
Media and Entertainment, Sports Lawyer. Associate of Aren Altman and Co. in Vancouver B.C. Jeff is responsible for writing the Offering Memorandum and prepared the Private Placement.
Rose has extensive experience in a wide range of marketing functions, communications, advertising, branding and social media. Rose’s expertise is in the development and implementation of the companies branding strategies. The intention is to ensure all marketing strategies achieve immediate and long-term business goals, identify and execute improvements and lead generation for raising capital. Rose also organizes and sets up campaigns for trade shows bringing events to mainstream. The goal is always to create an environment for the needs of the project to have a clear organized path and ready for production.Peter has been responsible for the development of the screenplay, the budget, the story-board, the offering memorandum with the private placement, the R.O.I. paper, the comparative film report, the treatment and synopsis.
JRickey Productions Studio
Jason is responsible for Video Editing
JEFF YOUNG
ATTORNEY AT LAW
JASON RICKEY